With the agreement of the ICF church leaders, Christian Lutz photographed the congregation and its followers over the span of a year. 

A few days after his book In Jesus’ Name was published, a lawyer, hired by the ICF and representing 21 followers, protagonists in the photographs, filed a complaint and obtained an immediate ban on the book. Christian Lutz reacted by revisiting the banned photographs and delivering new images blacked out with thick banners. It is now impossible to recognise the faces. As an expression of prejudice, the text of the complaints filed by the plaintiffs is printed over this obliteration. From a work banned stems a new, even stronger one. In the urge to interpret images, one tends to project in them one’s own beliefs and doubts, and soon emerges the certainty of seeing in them what was feared.