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Onari Projects

Onari Projects

Signage design for the Educuational Center for Healthcare, ZAG

Winner

Name(s)

Anina Amacker (1989), Laura Moor (1992)

Website(s)

onariprojects.ch

Instagram

@onari.projects

Employment

100% designers, Onari Projects

Education

Anina Amacker:
Bachelor Visual Communication, ZHdK, 2014
Laura Moor:
Bachelor Graphic Design, HSLU, 2016

Title

Signage design for the Educuational Center for Healthcare, ZAG

Year of creation

2022–2023

Place of creation

Winterthur

Context of creation

Commissioned by the Building Department of the Canton of Zurich

Collaborators

Signage design, creative direction, graphic design, object design, planning, project management: Onari Projects, Laura Moor and Anina Amacker, Zurich
Design process, object design, development and production support: René Odermatt, Zurich
Graphic design and planning support: Ramona Tschuppert, Stephanie Cuérel and Sophia Goedecke, Zurich
3D printing production: Richnerstutz AG, Villmergen Client: Canton of Zurich, Building Department, Zurich
User: Educuational Centre for Healthcare (ZAG), Winterthur
Interior design: Kueng Caputo, Zurich

Item(s) shown

Floor numbers, information board

Dimensions

Various

Formats/Duration
Material(s)

Glycol-modified polyethylene terephthalate (PETG), PLA

Material supplier(s)

Onari Projects is a design studio run by Anina Amacker and Laura Moor. Commissioned to design the signage for an educational centre, Onari Projects took the school’s interior design and its notion of diversity as a starting point for an overarching design concept. Charlotte Rohde’s New Edge served as the project’s basis because of its dynamic typeface characterised by contrasts of corners and curves, thus fitting perfectly into the context of the building itself. 

Using methods ranging between the digital and analogue, such as laser cutting, thermoforming, 3D scanning and printing, the letters are expanded from a two-dimensional surface into a three-dimensional body. The third dimension intensifies the characteristics of the letters and gives them an individuality bordering on the limits of legibility. The letters’ silver surface reflects the colours of the building and, as such, gently interacts with the architecture’s space. 

Onari Projects’ ambition, costs and the architectural structure of the building itself were decisive for the production method and materials employed.