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zweikommasieben Magazin

zweikommasieben Magazin

A Publication in an Ever-Changing Design

Winner

Nome(i)

Dorothee Dähler (1989)
Kaj Lehmann (1988)
Raphael Schoen (1986)
Simon Rüegg (1984)

Impiego

Dorothee Dähler: 100% independent
Kaj Lehmann: 100% independent
Raphael Schoen: 20% independent, 80% employed
Simon Rüegg: 60% independent, 40% employed

Formazione

Master Graphic Design, Werkplaats Typografie, 2018, (NL)
Master Type Design, ECAL, 2018 
Bachelor Graphic Design, HSLU, 2012

Titolo

A Publication in an Ever-Changing Design

Anno di creazione

2011–ongoing

Luogo di creazione

Lucerne, Zurich

Contesto di creazione

In between commissioned and self-commissioned

Collaboratore(i)

Präsens Editionen, Lucerne; Motto Books, Berlin (DE)
Editors and admin: Flavio Karrer (Zurich,since 2020), Guy Schwegler (Lucerne, since 2013), Helena Julian (Amsterdam, since 2021), Marc Schwegler (Lucerne, 2011–2019), Mathis Neuhaus (Zurich, since 2020), Michael Volken (Zurich, since 2011), Niklas Cyril Fischer (Hellbühl, 2018–2022), Patrick Alexander (Zurich, 2011–2018), Remo Bitzi (Lucerne, since 2011); Various authors, photographers and further contributors

Oggetto(i) mostrato(i)

Magazines

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Formati / Durata
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Fornitore(i) di materiale

zweikommasieben is a biannual Swiss magazine that has been devoted to the documentation of contemporary music and sounds since the summer of 2011. • To reflect the idea of the contemporality of the subject, we made the decision to change the design and format for each issue. This framework allowed for setting a current perspective on the magazine and its content, processing interests in topics, formal aesthetics and typography, testing something once or chasing an idea over several issues. • In the last 11 years, 27 issues have been produced, through which contemporary music and design tendencies can be traced, as well as our development as designers. • The magazine is published by Präsens Editionen and produced by a group of friends that has expanded into an international network over the years. It has only been able to succeed thanks to the commitment of each individual. It is designed by Dorothee Dähler, Kaj Lehmann, Simon Rüegg and Raphael Schoen in varying combinations.